Greetings and salutations my macabre minions! I bring you tidings of goodness and joy (if you derive goodness from bad ass black bikers and joy from zombie flesh eaters). I've been scouring Archive.org for all things drive-in nostalgia flavored, tossed it into a mixing bowl with some wacked out trailers and set the machine to frappe. I hope you enjoy the gore soaked hell out of it; please hit me with some feed back so I can better enhance your viewing pleasure.
There are a few quick notices I wanted to bring you up speed on. I'm going to be scaling back to two weekly 'Cheese updates. The reason for that is because I've been so involved in other projects that you wouldn't be getting the best from me and I love ya too much to give you the scraps, dear readers. The good news is that you can catch both writings and rumblings from me in these other projects as well as here at The Midnight Cheese.
My weekly column on Mania.com, Saturday Shock-O-Rama, should tickle your midnight fancy and is updated every Saturday morning. This past week's piece is on the gory Kung-fu slapstick flick, Riki-Oh: The Story of Ricky.
Cinedelphia.com features new movie reviews from me. Here's my piece on The Woman in Black. My musings on Men in Black 3 should be up on Friday.
I'm also a sometimes personality on the excellent podcast, You've Got Geek, which is released weekly and has all your nerd needs covered.
It's a tough task, continuous improvement with each new Installment. Thousands of films and television shows have been unable to do it with a combined billions of dollars in budgeting. Somehow the folks over at Incognito Cinema Warriors XP (ICWXP)keep striking comedic gold with each new release. Last week, episode 202: Soapy The Germ Fighter/Where's Your Big Bad Apocalypse Now? hit Internet shelves and the fun bus dropped off my copy on Friday.
For the uninitiated, ICWXP started as a passion project of a group of Mystery Science Theater 3000 fans (MSTies) who'd had their gluttonous fill of episodes and wanted to ply their hand at something similar. While the first season of ICWXP follows a very similar chronological pattern as MST3K (riffing of a feature film with wrap around host segments), season two tones down the riffing to handle education shorts while expanding the host segments into a meatier entertainment meal.
It's because of these expanded live action segments that we're able to get to know the 'bots and their pet human better, despite the long time between releases (though that too has gotten better as of late!). Johnny Cylon is as delightfully innocent and foul mouthed as ever, with Zach Legler providing his unique and charming vocals. Seriously, Cylon's tiny body combined with his big voice makes for such a bad ass screen presence that it's been hard to this point for the actors handling Topsy to hold there own across the candy counter from him. All that's changed now, with Nick Evans taking over the role of Topsy Bot 5000 as of episode 201, the charming bot charisma battle is an evenly matched one and the sarcasm quotient has skyrocketed! Nick's also all over the episode assuming an enormous number of roles, many of which I don't want to mention for spoiler related reasons, but his turn as an over the hill Count from Sesame Street (replete with an amazing puppet) is side splittingly histerical.
Puppet newcomer Flex Namtari, human arcade relations, joins the cast as a bot originally designed to maintain the theater's arcade; a place that no longer exists. His touching man out of time story really tugs at the heart strings, recalling Christopher Reeve from Somewhere In Time... Ok ok, so it's really just a great excuse to crack well deserved jokes about the artery busting glut of remakes which we've been subjected to over the past decade. With them as always is Commander Rikk Wolf, who we caught up with last week, as the unflappable human just trying to stay sane in this zany soup of absurdity.
Being riffed here is the incredibly creepy educational short Soapy The Germ Fighter; thehaunting tale of a scum covered boy of the 50's and the limb equipped bar of soap who refuses to wear pants while admonishing bad lathering technique (in the boy's bedroom....at night...). The crew also take on an absurd cigarette ad, some classily outdated drive-in snack bar bumpers (by now you must know how I love those!) and in an absolutely genius move they are lambasted with absurd amounts of Internet spam.
More than just mastering movie bashing, the crew at ICWXP is growing their film craft; cinematography, makeup and editing all looking better with each successive release. I'd be remiss not to mention the excellent zombie makeup by Bethanie's Woods (also working the camera) for her excellent Spock zombie in this episode. Adding it all up, this DVD release packs ten shitloads of entertainment value; with loads of special features to keep you entertained until episode 203 comes along. Give them your money here and if you're still unconvinced tune your eye ports to the vid below.
Greetings and salutations dear readers. Like Iron Man's armor, the Trailer Dump has leveled up and taken a massive leap forward. It's now a self contained entity, encapsulating all the good that you've come to expect, including cheesy trailers, intermission bumpers and solicitations to visit the, sometimes frightening, concessions stand. I've assembled all this on one platform: my iPhone (damn I love technology). Still a work in progress, I'd appreciate feedback.
I'm also writing a new weekly series for Mania entitled Saturday Shock-O-Rama. You can find my first go around right here: Count Yorga, Vampire
Hey Mystery Science Theater 3000 fans, what riffing show do you plan on spending your excess disposable income this week? No, there isn't a new Shout! Factory release this week that you forgot about (that's in July). I'm talking about a brand new release of Incognito Cinema Warriors XP; it's the modern riffing show that you've been missing in your fragile little life. I'll have a review of the episode next week. Today I've got a special treat for you ICWXP fans: an interview with the man behind the metal magic, Rikk Wolf!
Q: How did you decide to make the leap from riff show fans to professional riffers extraordinaire?
I’ll let you know when and if we do, ha ha!
We got our start pretty simply. After binging on every MST3k episode I could get my mitts on, I started checking out the fan content floating around online. There were actually a few fan-made episodes I discovered which were produced ages ago under the MST3k name with Tom & Crow replicas and someone playing Mike. I was surprised to find that kinda thing has been going on since before MST3k went off the air! I had a video camera, studio space, a green screen and some hilarious friends and thought it’d be a blast to get in on the fun, but to put my own spin on it - just for one episode. I love zombies, Mega Man, MST3k and heavy music. So there you have ICWXP.
It was done just for fun thinking virtually no one would see it, but after putting it online and getting a massive response, it was clear a fan base could be built if we really put our backs into it and honed our craft.
Before our second episode even dropped, we’d heard from hundreds of people and even Rifftrax. A few years later and thanks to incredible fan support, the show’s being seen in theaters after screenings of MST3k episodes. It’s overwhelming.
Q: You've got a popular show, you're part of a band; what do you do for an encore? And what does a member of CORPS do for a real life living?
Freelancegraphic design, mostly! It’s definitely a battle to make ends meet with the financial burden of producing an online television show, but I manage. I make flyers for bands and promoters and the occasional album cover. I only occasionally get my legs broken by loan sharks.
Q: What's your favorite host segment from MST3K? (or perhaps, which ones have been most influential on ICWXP's sensibilities?)
That’s a tough one. My favorite episode is “The Final Sacrifice”, so probably one of its segments. If I had to choose one as inspiration for ICWXP, probably the one in which Tom Servo delivers his Canadian Pride song from the same episode. No, we don’t hate Canada (though we’re no fans of Nickelback) but the vibe there is something I’d hoped to capture - puppets being inappropriate.
Q: I've described ICWXP to people as a "Heavy Metal, Zombie Apocalypse MST3K", most for ease of analogy. How would you better describe it in just one sentence?
Grown men playing with puppets in a barn? Some of our fans have taken to saying “It’s MST3k for Metal Heads” or “Resident-Mega-MST”. The show’s definitely a tossed salad mash up. I’d say either works well.
Q: What is the real life theater you're using for the exterior shots of the Cine-A-Sorrow?
That’s a real-deal abandoned Dickinson theater in North Kansas City that’s been collecting dust for over a decade now. I actually saw movies there when I was a kid. I never thought of it until recently, but there really is an abandoned theater just a few minutes from where I live. Seems it was meant to be.
It’s a rather mysterious building, tucked away behind a closed down Best Buy, tucked away behind a dying mallwith a closed down theater inside and flanked by yet another defunct theater across the road. Abandoned theater alley, that part of the city. The owners are impossible to reach, probably because it’s slated for demolition. If I had the money I’d buy the place, set up ICWXP shop there and show cult films while producing the show.
Q: You seemed to have switched up formats from season one to season two, with one being a more traditional riffing show (short, full length film with wrap around host segments) to a more live action comedy show with a short film being riffed in the middle. What prompted this shift?
Many factors. Mostly, it’s a time & budget thing. Producing a quality riff of a 20 minute short film is much less time consuming than an hour and a half movie. The show was struggling greatly financially between releases because of the long production times that were a result of being understaffed and overworked. With the shorter format, we can get new episodes out faster and manage to not go broke between them, though we still do rely greatly on fan donations. Some of our core cast was uncertain if they would be able tocontinue devoting the time it took to work on a full length when the decision was made, as well. There was concern about the show having to take a dirt nap for awhile unless we shortened it down or recast people. We chose to shorten. We hate recasting.
Q: What's the fan reaction been like to that shift and do you plan to keep the new format or move back to something akin to season one?
It went over much better than I personally thought it would, but I can be a worrier. I was up at night thinking there’d be riots in the streets and ICWXP DVDs burning on front lawns. Turns out a few of ourloyal fans politely suggested we offer a little more theater time in the new formula, and starting with Episode 203 that’s exactly what we’ve done.That said, people generally seem to smile a little more now that we have something new to digest out faster.
Season 2 will wrap up with at least one full length episode. Budget allowing, the live action segments will be pretty epic, but of course imbued with sarcastic silliness and goofy characters at every turn.
Q: If you could riff any one film without worrying about rights issues, what would that film be?
Easy! Zardoz.Sean Connery in thigh highs? The riffs will write themselves.
Q: I'll admit that I've only recently come into the ICWXP fold. So tell me: what's the deal with Topsy's ever changing voice (or instead my "perception" of his voice)?
The show’s always been charity work, and with that sometimes comes greatuncertainty. No one has network contracts forcing them to appear for a number of episodes, so people are free to come and go as they please, or if we so chose to stop asking them back for one reason or another. Nick Evans (the new voice of Topsy) has bent over backwards for the show time and time again and I’m happy to finally have someone we can absolutely trust at the helm with that character who loves the show and is a pleasure to work with.
Q: I've seen Mike Nelson's quote about ICWXP already; have you gotten any other feedback from former MST3K alum?
We have, actually. They had very nice things to say as well as some constructive criticisms. I’m not at liberty to reveal whom, however (sorry!). The MST cast alumni are some truly unique and amazing people. I’d like to one day meet them all, shake their hands and thank them for changing my life (thusly causing a pitying stare and vigorous hand washing after I leave).
Q: What are you most proud of in Episode 202? Probably the segment involving Soapy after the short film. That was a real collaborative effort and everyone’s ideas came together to produce a scene that seems to both disturb and cause laughter. I really love the current team we have on the show now.
Thanks again to Rikk Wolf from ICWXP for taking the time answering my questions. Take a long, loving gander at the clip below for a taste of the madness and if you're interested in getting you mitts on an episode head here.
What the heck is the Midnight Cheese all about? It's a poignant question for anyone to bring up and it might surprise you to learn that even I am sometimes at a loss to provide a satisfying answer. Simple in scope, the Midnight Cheese is my attempt to spotlight the kinds of films many people haven't heard of or perhaps haven't paid attention to. More than that it's a prismatic sphere, taking into itself all of the different media I've digested over the years (including the manner of ingestion) and projects out a rudimentary recalling of the experience. The point, dear reader, is a catfish hiding in muddy waters. With the 'Cheese's recent reanimation, I thought it might be interesting to brainstorm out exactly what the Midnight Cheese is supposed to be. Ride shotgun with me and let's see where this leads.
The Midnight Cheese is USA Up All Night; Gilbert Gottfried and a bowl of popcorn. The lights are out and I'm half hidden under a blanket. Anyone who could run to my aid in the case that the budget horrors depicted on the small screen came alive was fast asleep. I could never quite stay up all night, fading to slumber somewhere along the seven hours which this programming would keep night owls close company. My viewership began before I could even comprehend their edited safe for TV sexploitation films and ran well into my high school years. The films didn't matter. In point of fact this is likely the largest contributing factor to my future love affair with what norms consider "bad movies". I owe USA Up All Night more than one hug could ever convey to an unsuspecting Gilbert Gottfried.
The Midnight Cheese is seeing a 35mm film among a crowd. It's the imperfections inherent in watching a 35 year old 35mm print; The snaps; the crackles; the pops. Knowing that as I behold light blasted across celluloid at 24 frames per second that it's source is forever changed, however minusculely. There's an exchange taking places as it looses some of it's once illustrious luster to effect me and as part of our viewing leaves it's mark in return on the reel. To be shipped across country with nefarious plans it will impact even more malleable minds during it's lifespan. The communal laughter. The quiet agreement during the most terrible moments, that we've all steeled ourselves against, but are still secretly horrified of is all part of the enjoy and the spectacle.
The Midnight Cheese is The Sunday mornings with only the post cartoon-block shenanigans of The Three Stooges to usher us into an afternoon of Godzilla and Rodan. These two and more were our first cultural ambassadors, fascinating us with our own shame reflected back in movie form and enjoyed by those far too young to realize such a thing was amiss. Later, pulp of the silver screen would manifest itself in new clothing as Hercules the Legendary Journeys, Xena: Warrior Princess and The Adventures of Brisco County Jr. The campy and corny and exactly what I'd expect out of a rainy Sunday morning.
The Midnight Cheese is staying up well past bed time. In youth it was to catch a glimpse of that which was forbidden. At present it's to put off the responsibilities of adultdom just another hour- to take in one more movie. It's seeing the latest horror release at midnight on a Thursday, with work to contend with at the crack of dawn.
The Midnight Cheese is Exhumed Films' Horrorthon, willing the mind to stay awake, refusing to submit to the slowness of 4:30am. It's the communal joy of First Friday Fright Nights at the Colonial theatre, resplendent in it's 108 year old dressings. It's the ridiculousness of tiger man. It's the fun of Cult Cinema shows. It's laughing at The rediculousness of Black Angles, it's groaning in horror at Teenage Mother.
It's enjoyment of the simple. It's giving a pass to the flaws. It's laughter with friends.
It's corny and it's cheesy and it's me laid bare. Certainly, we've got something in common.
I love when witty subtitles are playfully and abusively applied to the main event's moniker. Serving as a supplemental dipping sauce, they're poised to enhance your full feature flavor. And so today's unfolding is entitled: The Trailer Dump XIV: 'Sploitating the Shit Outta You Sucka! There, that's more comfortable. Let's get this show on the road jive turkeys.
When mapping out my treasure hunt into Hammer's chest of riches (see part 1 and part 2 of this series), nothing could have prepared me for the sheer blinding awesome that is 1974's Captain Kronos- Vampire Hunter. A quick and dirty glance over appropriate IMDB'age reveals that this is apparently the film that was Hammer Horror's iceberg; it's failure to resonate with audiences began the slow death of this storied production company. Having digested all Kronos has to offer, I can't even contemplate how this is possible.
Captain Kronos the man is a hardcore former soldier who's devoted his life to discovering vampire scourges and combating them at every turn. A master swordsman, he's a fantastic physical specimen; honed to both physical and mental edged perfection. He's a face melting metal bad ass traveling about the 1700's European country side, routing riotous villagers and bedding beautiful buxom Caroline Monroe.
He's accompanied by a faithful hunchbacked companion, who refuses to conform to normal cinematic stereotypes. Professor Hieronymus Grost is an arcane lore master of all things vampiric, musing at one point that "there are as many species of vampire as there are beasts of prey". He's a charming and charismatic personality, a master blacksmith, a stalwart companion and a great character. I absolutely loved every scene he's in, most especially the "chess scene" between him and Dr. Marcus.
It's evident from the outset that Hammer was attempting a reinvention of both vampire folklore and also themselves. Captain Kronos - Vampire Hunter was designed to be a the first of a long running series staring rugged pre-Viggo Mortenson Horst Janson. He's contacted by an old war buddy, Dr.Marcus, to investigate the strange cases of young girls who are being found rapidly progressed to chronologically challenged hag status. Along the way Kronos frees a young, buxom Caroline Monroe from roadside stocks and invites her along to sexy ends. There's such a marvelous mystery presented within, that I've already said enough and will leave the baton at your feet to run with.
Sadly the film did very poorly at theaters (perhaps American audiences were worn out on Hammer by this point?) and so nothing ever came beyond this one film. Thinking back on it now in the rear view, Captain Kronos -Vampire Hunter was a decades forward thinking flick. The scientific method meets folk legend approach to reasoning out vampiric haunts and weaknesses heavily feels like best parts Hellboy and the logical explanation and methodical implementation of weapons and gadgets (all period appropriate) shows shades of these same aspects as presented in Batman Begins.
Captain Kronos- Vampire Hunter is a swashbuckling, euro-gothic, manly-fisticuffs good time. It was sadly passed over and almost forgotten but now you can check it out on Netflix streaming. Try on something new, something sheer, something that might not be your size but might feel so nice next to your skin.
