Top 3 David Carradine Characters

A lot of ideas spooled up and whipped past the front and center of my mind this past week whilst I was penning my tribute to lost actor David Carradine for my column on Mania.com (handy link). Unfortunately, many of them didn't fit the context of that article and could not be included. Luckily I've got the Midnight Cheese to catch those left over vitals, which I've chosen to sautée and serve to you in list form. On the third anniversary of his early exit, stage right, here are my top three favorite characters played by David Carradine. If you've already read this week's Shock-O-Rama, none of this will come as any great surprise (though the ordering arrangement most).

Frankenstein (Deathrace 2000 - 1975)

While I consider Deathrace 2000 the most influential of Carradine's films on me personally, the character he plays here is not my absolute favorite. What isn't to love through about a man who's supposed to have been rebuilt more than Darth Vader when really he's just the newest in a line of trained and costumed imitators? He's sort of like Elvis, if an impersonator secretly took his place each time he died. I want you to seek this film out and so I won't spoil too much here. Let me just say that Frank has the oddest hand grenade ever captured on film thus far.

The Blind Man (Circle of Iron - 1978)

This is only one of four roles played by Carradine in this cinematic instruction manual on eastern philosophy. The Blind Man is most certainly a huge inspiration for the title character of Tarantino's Kill Bill films. He plays a large bamboo flute, which doubles as an effective weapon; he speaks in the seer sing song of riddles and unknowable truthes; and he is much deadlier that he ever comes off in both appearance and conversation. I gave Circle of Iron it's own write up here. Check it out and then see the film.

Bill (Kill Bill Vol. 2 - 2004)

Being the collected embodiment of all of his cult characters who'd come before, there's no way it could be anyone else but Bill. Every monologue delivered is classic Carradine, here movement measured and ever frame showcases another of the hundred ways which he's just so fucking cool. The scene where he plays the flute while telling the bride a tale is one of my favorite committed to film.

So celebrate the legacy, watch an awesome flick and tell you friends about just how bitchin' rad David Caaradine was.

 

Holy Balls! ICWXP 202 Review

It's a tough task, continuous improvement with each new Installment. Thousands of films and television shows have been unable to do it with a combined billions of dollars in budgeting. Somehow the folks over at Incognito Cinema Warriors XP (ICWXP) keep striking comedic gold with each new release. Last week, episode 202: Soapy The Germ Fighter/Where's Your Big Bad Apocalypse Now? hit Internet shelves and the fun bus dropped off my copy on Friday.

For the uninitiated, ICWXP started as a passion project of a group of Mystery Science Theater 3000 fans (MSTies) who'd had their gluttonous fill of episodes and wanted to ply their hand at something similar. While the first season of ICWXP follows a very similar chronological pattern as MST3K (riffing of a feature film with wrap around host segments), season two tones down the riffing to handle education shorts while expanding the host segments into a meatier entertainment meal.

It's because of these expanded live action segments that we're able to get to know the 'bots and their pet human better, despite the long time between releases (though that too has gotten better as of late!). Johnny Cylon is as delightfully innocent and foul mouthed as ever, with Zach Legler providing his unique and charming vocals. Seriously, Cylon's tiny body combined with his big voice makes for such a bad ass screen presence that it's been hard to this point for the actors handling Topsy to hold there own across the candy counter from him. All that's changed now, with Nick Evans taking over the role of Topsy Bot 5000 as of episode 201, the charming bot charisma battle is an evenly matched one and the sarcasm quotient has skyrocketed! Nick's also all over the episode assuming an enormous number of roles, many of which I don't want to mention for spoiler related reasons, but his turn as an over the hill Count from Sesame Street (replete with an amazing puppet) is side splittingly histerical.

Puppet newcomer Flex Namtari, human arcade relations, joins the cast as a bot originally designed to maintain the theater's arcade; a place that no longer exists. His touching man out of time story really tugs at the heart strings, recalling Christopher Reeve from Somewhere In Time... Ok ok, so it's really just a great excuse to crack well deserved jokes about the artery busting glut of remakes which we've been subjected to over the past decade. With them as always is Commander Rikk Wolf, who we caught up with last week, as the unflappable human just trying to stay sane in this zany soup of absurdity.

Being riffed here is the incredibly creepy educational short Soapy The Germ Fighter; the haunting tale of a scum covered boy of the 50's and the limb equipped bar of soap who refuses to wear pants while admonishing bad lathering technique (in the boy's bedroom....at night...). The crew also take on an absurd cigarette ad, some classily outdated drive-in snack bar bumpers (by now you must know how I love those!) and in an absolutely genius move they are lambasted with absurd amounts of Internet spam.

More than just mastering movie bashing, the crew at ICWXP is growing their film craft; cinematography, makeup and editing all looking better with each successive release. I'd be remiss not to mention the excellent zombie makeup by Bethanie's Woods (also working the camera) for her excellent Spock zombie in this episode. Adding it all up, this DVD release packs ten shitloads of entertainment value; with loads of special features to keep you entertained until episode 203 comes along. Give them your money here and if you're still unconvinced tune your eye ports to the vid below.

 

 

The Trailer Dump, Issue No. 15

Greetings and salutations dear readers. Like Iron Man's armor, the Trailer Dump has leveled up and taken a massive leap forward. It's now a self contained entity, encapsulating all the good that you've come to expect, including cheesy trailers, intermission bumpers and solicitations to visit the, sometimes frightening, concessions stand. I've assembled all this on one platform: my iPhone (damn I love technology). Still a work in progress, I'd appreciate feedback.

 

I'm also writing a new weekly series for Mania entitled Saturday Shock-O-Rama. You can find my first go around right here: Count Yorga, Vampire

See you on the flip side.

 

Damn You Invisible Chicken! - Talking w/Rikk Wolf

Hey Mystery Science Theater 3000 fans, what riffing show do you plan on spending your excess disposable income this week? No, there isn't a new Shout! Factory release this week that you forgot about (that's in July). I'm talking about a brand new release of Incognito Cinema Warriors XP; it's the modern riffing show that you've been missing in your fragile little life. I'll have a review of the episode next week. Today I've got a special treat for you ICWXP fans: an interview with the man behind the metal magic, Rikk Wolf!

Q: How did you decide to make the leap from riff show fans to professional riffers extraordinaire?

I’ll let you know when and if we do, ha ha!

We got our start pretty simply. After binging on every MST3k episode I could get my mitts on, I started checking out the fan content floating around online. There were actually a few fan-made episodes I discovered which were produced ages ago under the MST3k name with Tom & Crow replicas and someone playing Mike. I was surprised to find that kinda thing has been going on since before MST3k went off the air!

I had a video camera, studio space, a green screen and some hilarious friends and thought it’d be a blast to get in on the fun, but to put my own spin on it - just for one episode. I love zombies, Mega Man, MST3k and heavy music. So there you have ICWXP.

It was done just for fun thinking virtually no one would see it, but after putting it online and getting a massive response, it was clear a fan base could be built if we really put our backs into it and honed our craft.

Before our second episode even dropped, we’d heard from hundreds of people and even Rifftrax. A few years later and thanks to incredible fan support, the show’s being seen in theaters after screenings of MST3k episodes. It’s overwhelming.



Q: You've got a popular show, you're part of a band; what do you do for an encore? And what does a member of CORPS do for a real life living?

Freelance graphic design, mostly! It’s definitely a battle to make ends meet with the financial burden of producing an online television show, but I manage. I make flyers for bands and promoters and the occasional album cover. I only occasionally get my legs broken by loan sharks.




Q: What's your favorite host segment from MST3K? (or perhaps, which ones have been most influential on ICWXP's sensibilities?)

That’s a tough one. My favorite episode is “The Final Sacrifice”, so probably one of its segments. If I had to choose one as inspiration for ICWXP, probably the one in which Tom Servo delivers his Canadian Pride song from the same episode. No, we don’t hate Canada (though we’re no fans of Nickelback) but the vibe there is something I’d hoped to capture - puppets being inappropriate.




Q: I've described ICWXP to people as a "Heavy Metal, Zombie Apocalypse MST3K", most for ease of analogy. How would you better describe it in just one sentence?

Grown men playing with puppets in a barn? Some of our fans have taken to saying “It’s MST3k for Metal Heads” or “Resident-Mega-MST”. The show’s definitely a tossed salad mash up. I’d say either works well.




Q: What is the real life theater you're using for the exterior shots of the Cine-A-Sorrow?

That’s a real-deal abandoned Dickinson theater in North Kansas City that’s been collecting dust for over a decade now. I actually saw movies there when I was a kid. I never thought of it until recently, but there really is an abandoned theater just a few minutes from where I live. Seems it was meant to be.

It’s a rather mysterious building, tucked away behind a closed down Best Buy, tucked away behind a dying mall with a closed down theater inside and flanked by yet another defunct theater across the road. Abandoned theater alley, that part of the city.

The owners are impossible to reach, probably because it’s slated for demolition. If I had the money I’d buy the place, set up ICWXP shop there and show cult films while producing the show.




Q: You seemed to have switched up formats from season one to season two, with one being a more traditional riffing show (short, full length film with wrap around host segments) to a more live action comedy show with a short film being riffed in the middle. What prompted this shift?

Many factors. Mostly, it’s a time & budget thing. Producing a quality riff of a 20 minute short film is much less time consuming than an hour and a half movie. The show was struggling greatly financially between releases because of the long production times that were a result of being understaffed and overworked. With the shorter format, we can get new episodes out faster and manage to not go broke between them, though we still do rely greatly on fan donations. Some of our core cast was uncertain if they would be able to continue devoting the time it took to work on a full length when the decision was made, as well. There was concern about the show having to take a dirt nap for awhile unless we shortened it down or recast people. We chose to shorten. We hate recasting.




Q: What's the fan reaction been like to that shift and do you plan to keep the new format or move back to something akin to season one?

It went over much better than I personally thought it would, but I can be a worrier. I was up at night thinking there’d be riots in the streets and ICWXP DVDs burning on front lawns. Turns out a few of ourloyal fans politely suggested we offer a little more theater time in the new formula, and starting with Episode 203 that’s exactly what we’ve done. That said, people generally seem to smile a little more now that we have something new to digest out faster.

Season 2 will wrap up with at least one full length episode. Budget allowing, the live action segments will be pretty epic, but of course imbued with sarcastic silliness and goofy characters at every turn.




Q: If you could riff any one film without worrying about rights issues, what would that film be?

Easy! Zardoz. Sean Connery in thigh highs? The riffs will write themselves.


Q: I'll admit that I've only recently come into the ICWXP fold. So tell me: what's the deal with Topsy's ever changing voice (or instead my "perception" of his voice)?

The show’s always been charity work, and with that sometimes comes great uncertainty. No one has network contracts forcing them to appear for a number of episodes, so people are free to come and go as they please, or if we so chose to stop asking them back for one reason or another. Nick Evans (the new voice of Topsy) has bent over backwards for the show time and time again and I’m happy to finally have someone we can absolutely trust at the helm with that character who loves the show and is a pleasure to work with.




Q: I've seen Mike Nelson's quote about ICWXP already; have you gotten any other feedback from former MST3K alum?

We have, actually. They had very nice things to say as well as some constructive criticisms. I’m not at liberty to reveal whom, however (sorry!). The MST cast alumni are some truly unique and amazing people. I’d like to one day meet them all, shake their hands and thank them for changing my life (thusly causing a pitying stare and vigorous hand washing after I leave).




Q: What are you most proud of in Episode 202?

Probably the segment involving Soapy after the short film. That was a real collaborative effort and everyone’s ideas came together to produce a scene that seems to both disturb and cause laughter. I really love the current team we have on the show now.

Thanks again to Rikk Wolf from ICWXP for taking the time answering my questions. Take a long, loving gander at the clip below for a taste of the madness and if you're interested in getting you mitts on an episode head here.

 

I'm Nuts about Fortress

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Mutant Chronicles: Modern B-Movie Archetype?

The world of cinema changed dramatically in the wake of the force of nature known as Roger Corman, that much is certain. He was the snowball which gathered flakes during his downhill charge, destined to smash convention as an unstoppable landslide of change. B-Movies underwent an irrevocable shift once major studios realized that they could couple the simple, campy plots from small budget pictures with gaudy, over sized budgets. Bruce Campbell argues in his first book, If Chins Could Kill (which you really should read!), that most of the major blockbusters of today are just gussied up B-Movies with money behind them. Independence Day. Transformers. The Happening. Give it a ponder.

This still contains more happenings than The Happening

Meanwhile back on Earth (more specifically on the Ikea couch in my basement, huddled under a handful of blankets with a cat keeping me company) I was winding down the last of my holiday vacation with gray matter relaxing Sunday morning fare on the Polish Syphilis SyFy SciFi channel. When what to my wandering eyes should appear, but something called Mutant Chronicles staring some guys named Thomas Jane and Ron Pearlman. I'll admit that I'm an enormous sucker for celluloid adventures which featuring Mr. Pearlman and Thomas Jane knocked it out of the park in the under appreciated 2004 Punisher adaption.

Mutant Chronicles is a fascinating venture in the digital filming style made famous by Robert Rodriguez with his adaption of Frank Miller's Sin City. Despite a smaller budget overall budget, the effects are exceptionally realized here, screaming that there was vision and style to spare. While the characters are somewhat flat, they manage to fill all of the standard tropes of a group of mercenaries while at the same time injecting just enough personality for there to be clashes within the group. Witty banter aplenty.

If you're unfamiliar with the pen and paper game on which the movie's based, don't worry! Any casual Internet search on the matter will punish you with the sweat and bile of self loathing Internet nerds, sperging over their keyboard the collected sum of all their disappointment that this film takes liberties with the cherished source material in the name of making an entertain romp. I suggest you treat them like all the women in their lives do: with pity and careful avoidance, one hand on the mace in their purse if proximity is considered 'Danger Close'.

Giant Maglights come as standard equipment in 2707

Mutant Chronicles (the film) paddles the stream of time to the year 2707, on an Earth where nearly all natural resources have been depleted and over which four mega corporations wage perpetual war. It is during one of these battles, which resemble a mix of world war one trench combat with steam powered ships, that a great seal is broken. This ancient symbol confined within it a vast machine, which crashed to Earth during the Ice Age. From the machine spring monstrously mutated men with a massive biological spikes for hands. These they use to maim and kill, then drag their conquests to the core of the machine, which in turn transforms these unlucky meat sacks into more killing engines.

Much as with zombies, each casualty replenishes the enemies ranks. Soon the rich and lucky are chartering every available craft to the safety of Mars, leaving billions to the meat grinder. Enter Brother Samuel (Pearlman), a holy man cut from the cloth of an ancient sect. He protect a books with the secret to stopping the horror threatening to engulf the entire planet. Samuel recruits a varied team of mercenaries to deliver a bomb into the heart of the machine, thus ending the doom-come-apocalypse. The action takes us down into the ancient underground ruins of our current world (upon which the world of 2707 is built), below which the fate of the planet is to be decided.

Mutant Chronicles: Helmet piercingly erect

This isn't an amazing film that will kick your ass six ways from Sunday with it's awesome-osity. When you get down to brass tacks though, it's an entertaining, modern day B movie, delivering up exactly what genre fans should have already come to expect from a monster/zombie-retro/future/steampunk-action/adventure flick. If you can't have fun chilling with this lazy Sunday afternoon affair then it's entirely possible that you take the Internez (and their related serious business) far to seriously. Relax and check out something off the wall. Perhaps Mutant Chronicles?

Looking Back at a Year of Repertory Hosting '11 (part 1)

As some of you may know, I help select and host repertory cult and horror film showings at the humblingly atmospheric Colonial Theatre in Phoenixville, PA. If you're unfamiliar with this spectacular venue, the Colonial is famously remembered as the theater featured in the 1958 Steve McQueen horror flick The Blob, which they gloriously celebrate each year with a weekend festival dubbed "Blobfest". As you can imagine, it's the perfect local for a monthly late night horror show, which was started in mid-2008 by then local cinofile, Bob Trate. First Friday Fright Night (FFFN) has been an enormous draw for the theater and has been going strong for the past three years.

I've been a rabid attendee since I first heard about it prior to their 3rd show, a 35mm print of the immensely popular Evil Dead, in June '08. In July 2010 I began hosting a bimonthly showing of Mystery Science Theater 3000 episodes which was not my first hosting duty at the Colonial but has grown to be my favorite (I love coming up with absurd, embarrassing and fun contests for the pre-show prizes!).

I'm bringing this up because it would become the jumping off point for an entirely separate cult film series (Colonial Cult Cinema) in the middle of this past year (which we'll discuss to in part 2 of this retrospective).

And so it's with all this in mind that I'd like to take a look back at all the cult and horror which has been lovingly showcased at the Colonial Theatre in 2011. Consider this my own "end of year list".

January

Dark City - Ah Dark City! Such a fantastic work, summoning qualities both noir and scifi then painting with a brush of gothic mystery- this flick is an amazing ride which didn't get the recognition it deserved upon release in 1998. The director's cut was screened on Blu-Ray, since there isn't a 35mm print of this version.




MST3K episode #813 "Jack Frost" - This Mike episode centers on lambasting a badly translated dub of what appears to be a beautifully shot Russo-Finnish fairy tale piece. As is typical of all the MST3K shows which I host, there was a pre-show contest for prizes. In this case, I held a "Ricochet-off", where those brave souls who joined me on stage had to out "Ricochet!" each other in the manner of Mike's invention from the Starfighters episode.



February

The Fifth Element - I adore this film. It's marvelous scifi never feels forced and all parts humor and action are as tightly woven strands, marking this as a crowd pleaser that holds up very well. And I'll just throw this out there: Chris Tucker at his absolute best.



March

In the Mouth of Madness - Our first true horror film of the year is commonly held, as host Bob Trate noted at the time, to be the last "good" John Carpenter film (I disagree, but we'll table that until another time). Drawing heavily from H.P. Lovecraft's body of work, we're treated to that special sort of madness which lies outside the limits of man's mortal bounds. Sam Neill turns in an amazing performance.




MST3K episode #417 "Crash of the Moons" - This wonderful episode contains exactly what I always think of when conjuring images of what MST3K means for me: Black and White 50's science fiction with cardboard sets and campy premise. Sure there are better episodes out there, but I dearly love the fun Joel and the bots' have with the adventures of space ranger Rocky Jones. Before the show our contest was an honest to goodness invention exchange. As I recall, the winner created the "Nerdvent Calendar" - in homage to both Advent calendars (with little gifts contained in each day) and all things geek leading up to Blobfest itself. Marvelous!



April

The Terminator - Our third scifi film of the year in the Fright Night spot is a true classic, catapulting it's director James Cameron and star Michael Biehn Arnold Schwarzenegger on to super stardom. Even better, the 35mm print was very clear and well preserved!



May

Maniac - This was an experience, more than just a screening. We were able to showcase a brand new 35mm print of this niche classic. If that wasn't cool enough, we had director William Lustig on hand. He both introduced the film and stuck around for an incredibly informative question and answer session at the conclusion (moderated by cohost to be Joel Rickenbach of You've Got Geek podcast fame). Even more fun for us was the chance to have dinner with Bill Lustig before the show. He was pleasant company and quite the affable chap! Hopefully he'll come back this year for Blobfest (he was floored when he found out he was hosting his movie at "The Blob theater"!)




MST3K episode #1008 "Final Justice" - This Joe Don Baker stinker is perfect fodder which we punctuated with a preshow Cowboy and/or JDB costume contest. Thankfully, no one dressed as Joe Don.



June

The Adventures of Buckaroo Banzi across the 8th Dimension - Which is more an impossible situation? For me to do this film justice in simple text form or for you to never have seen it? This amazing original film works so many angles, you might think you're being taken in by some nefarious con. You are being taken for a ride, but you aren't being grifted out of anything but your ignorance. Topping off my first chance to see this gem in 35mm was a showcase of props and collectibles on display thanks to Film Buff Online writer (and dear friend), Rich Drees.

There you have it, part one of our year in repertory review for the Colonial Theatre. Look for part two coming shortly, detailing the changing of the guard that took place and how the Colonial Cult Cinema night took shape.

The Trailer Dump, Issue no. 7

The Ice Pirates

• What a cast! John Carradine, Ron Pearlman, Angelica Huston and Robert Ulrich!
• The wide shots of the domed city is actually footage from Logan's Run.
• The sport the pirates watch over their lunch is footage from Rollerball.
• This is only Ron Pearlman's second film after A Quest for Fire.
• When I first subscribed to Netflix streaming, this is the first film I watched.

Galaxina

• Actress Dorothy Stratton, who played the titular (har har) Galaxina, was Playboy's Playmate of the year, 1980. Sadly, she was killed by her jealous husband in a murder/suicide. She was only 20.
• Laser sound effects were lifted right out of the original Battlestar Galactica tv show and shipboard door effects taken right from Star Trek.
• Received a Blu Ray release this past March as a double feature with Crater Lake Monster.

Ator, The Fighting Eagle

• This film contains a lot of O'Keeffe. How much O'Keeffe? Miles O'Keeffe. (sorry, couldn't help it)
• This is the first in a series of 4 films featuring Ator by occult director Joe D'Amato.
• The second film in the series was spoofed on Mystery Science Theater 3000 under it's American title, Cave Dwellers.

Until next time, here's hoping you spend Saturday night at the movies, who cares what you go and see.

The Trailer Dump, Issue no.3

It's that time of the week again; the time to tuck in and focus on the movie appetizer sampler that is The Trailer Dump. This week's focus is a little more early 90's cheese as recommended by Noel, with one or two surprises thrown in by me. Bon appetite!

Dead Heat

Good cop Dead cop.

Night of the Creeps

If you scream, you're dead!

Arena

See how many Deep Space Nine alumni you can spot.

Intermission!

Aged cheddar? Ew

Slumber Party Massacre 2

(mildly NSFW)

A real Rock 'n Roll nightmare

Captain America

At least it's not Nick Fury: Agent of Shield!

Which one was your favorite this week?